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Lauren Teffeau of The Bluestocking was kind enough to interview me so I have a Taos Toolbox profile. Thanks, Lauren!

Last year at Icon, we held our first Paradise Icon, an event that is a writer’s workshop, an education day, and a chance to attend a science fiction convention. We’re going to do it again.

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This year at Icon 38, from November 15-17, we will be holding Paradise Icon 2! Our guest lecturers (so far) are Nancy Kress, Greg Frost, and Ellen Datlow. We may add one more to the schedule. On Friday, we workshop. On Saturday, we listen to lectures and ask questions. Sometime on Saturday, we get to read our own work.

If PI2 sounds like something you’d like to do, let me know. You do need to be a Journeyman writer–someone who has attended Clarion, Viable Paradise, Odyssey, Taos Toolbox, Orson Scott Card’s Bootcamp, something like that. OR you need to send me a piece that I can evaluate that makes sure you’re about that level.

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The cost for the event is $100. That gets you the workshop and the convention, plus valuable face time with some of our attending pros. Icon also has a very nice con suite.

Some of you are eager to pay and come. Register for Paradise Icon now on the Icon Registration Page!

Let me know if you have any questions. Membership is capped at 18. Hope to see you there.

It would be unseemly to write anything political the morning after ANOTHER tragic weather event, so I won’t do that. I would like to extend sympathy to the people who have lost loved ones and their way of life.

Currently the news in our part of the world is doing a revisiting of the flood we had 5 years ago, which they called a 5000 year flood, or the kind of flood that is only supposed to occur every 5000 years, according to insurance statisticians. In 1998, the year my father died, we had a 1000 year flood. In 2003, another 1000 year flood. The weather, she is changing.

I know you have seen the statistics. Tornadoes are bigger. Windstorms are more violent. Hurricanes are larger and more dangerous and on the increase. There are more earthquakes. More drought. Cities are undergoing desertification. Places like Iowa will have droughts one year (last year) and floods the next (this year). The hot button issue of the middle 21st century will be WATER. We have begun to see climate refugees, leaving Oceania because their coastal homes are being swept away.

Regardless of why you think it happened, we’ve warmed up our environment, deepened our oceans, melted our ice caps. This changes the intensity of weather action, the direction of ocean drift, and the loss of land mass. Global warming does make the ocean hotter. That doesn’t mean that if you have a cold winter, you have no global warming. That means that the warmer ocean is making your weather bigger, scarier.

How can we make sure that our population areas are safer? In Cedar Rapids, for example, we could stop dinking around and build a flood wall on both sides of the Cedar River, instead of just one side because FEMA will pay for it.

We can move people out of at risk climate zones as best we can. Yeah, this one is horrible. At the end of my life, projections are that Miami will be underwater, for example. No one wants to leave the place they love. But I suspect we won’t have much choice in preserving life.

There are certain things we can’t predict. A tornado is like Russian Roulette. So, what can we do to insure the safest tornado conditions we can? Like neighborhood shelters, roadside bunkers for people who are commuting? Make sure mobile home parks are equipped with safety areas.

We know that the weather is not going to get better, nor are things going back to the way they were. Mind, I’d be happy if they did. But we need to think infrastructure, and we need to think safety. We may just be spitting into the wind. I’d like to say we did something, though.

So, again, spare a thought for Oklahoma. Send some money to the Red Cross. And tell our government officials we need to be thinking about these things, as well as better bridges and roads.

Writers of the Future Winner and physicist Corry Lee rounds out the Taos Toolbox profiles. Enjoy!

Tamago: When did you know that you wanted to become an author?

Corry: I spent my weekends and vacations writing ever since I was a kid, but I first started thinking critically about writing in 2009 when I attended Odyssey, the Fantasy Writing Workshop. I’d been working on “a novel” for years before that, but the workshop experience–and choosing to focus on short stories for a couple of years to hone my craft–is really when I took my first big step toward becoming an author, rather than just writing for fun.

Tamago: I know that you write in more than one genre. Do you have a preference of science fiction or fantasy? What do you like about storytelling in those subgenres?

Corry: I love both fantasy and science fiction, but no matter what I’m writing, I have to love the world. It needs to be intricate and filled with characters I care about. I tend to like secondary world fantasy; if it’s going to take place in our world, it needs to be a culture and/or time period I’m not familiar with. Science fiction is similar in that I don’t like stuff too close to the modern day. I want to escape my comfort zone and explore!

The novel I’m working on right now is my first secondary world fantasy, and I’m having a lot of fun inventing a magic system that fits a society with a 1920s era technology level.

Tamago: Which writers are your influences?

Corry: This is a constantly evolving list, but some of my favorite authors right now–whose work I find both motivational (because it’s awesome) and discouraging (because it’s so awesome!) include… Brent Weeks (The Black Prism), N.K. Jemisin (The Hundred Thousand Kingdoms), Brandon Sanderson (Mistborn), Ian Tregillis (Bitter Seeds), and Courtney Schafer (The Whitefire Crossing).

Tamago: How does having a degree in particle physics affect your writing?

Corry: People often expect that having a PhD in physics means I write hard science fiction… so far, not so much. The glib response in that writing hard SF is too much like work, but the fact is, I still feel so close to all the nitty-gritty (and not very interesting) details of actually *doing* big science, that I haven’t come up with any story ideas that use any scientific “big ideas” in a plausible way.

That said, I have written characters who are scientists or are otherwise involved in scientific research, and having background in research makes those characters more realistic.

The big intangible for me, though, has been that spending 7 years on a PhD forced me to be highly self-motivated, making daily, incremental progress on a big project with a nebulous completion date. It also taught me to expect that the first thing you try–or maybe the eighth–isn’t going to work. Gosh, that sounds a lot like writing a novel.

Tamago: How did you come to apply for Taos Toolbox?

Corry: I was chatting with Walter in a bar at WorldCon and he said, “Do you want to apply to Taos Toolbox?” I thought, sure, why not? I’d learned a lot at Odyssey, and thought another workshop–especially one with more of a novel focus–sounded like it might be a good next-step.

Tamago: What advice would you give someone who was planning to attend a writing workshop?

Corry: Be ready to have your ego crushed… and hopefully rebuilt! Go in expecting to learn about all sorts of flaws in work that you thought was perfect. It’ll be hard, but if you start with the attitude that you’re there to learn, and that none of your prose is sacred, workshops can be incredibly useful.

Tamago: Do you have a dream project? Could you describe it if so?

Corry: Dream project? Hm, whatever I’m working on at the moment tends to be my dream project. I only write stories I love to tell.

Tamago: Which part of the writing process do you like best and why?

Corry: First drafting–once I have enough of a sense of the story and characters to know where I’m going. The very beginning of a project is always rocky for me. I have to hash out characters and world and plot and somehow make all those things work together? Yikes. But once I’m about a third of the way through the first draft, I usually have a pretty good idea of those things, and the characters start talking in my head while I’m walking to the store. At that point, figuring out where the story goes next is still hard work, but now it’s fun because I’m doing it with my imaginary friends!

I also like big re-writes. I sort of hate to say this, because I’m hoping to be able to do less massive re-writes in the future, but when I have a great idea for how to make a story so much cooler by throwing out twenty thousand words and writing some new material, that process is awesome. I love seeing the new, tighter work, and I love the freedom of taking my (already well-understood) characters in a new and better direction.

Tamago: What are you working on now?

Corry: I’m writing a young adult fantasy novel set in a 1920s era police state. In it, a circus high wire walker and a boy trained as an elite soldier race to stay ahead of the secret police while struggling to control their storm magic before it drives them mad. Their abilities could turn the tide for the resistance–if they can escape being captured and turned into weapons for the regime.

Tamago: Where can readers find more of your work?

Corry: My short story “Shutdown” won the Writers of the Future contest and is published in Volume 28 of the anthology. You can also listen to a podcast or read it (for free) at Escape Pod.

Anything new, I’ll post to my website

So, there I was, writing along on the new novel on Sunday, and posting bits and progress to Twitter, like I do. And a tweet pops up from Kate Elliot (an author I have not read, but discovered that I will be reading for book group in December…) about despair. Her tweet was a riff on Galadriel, I think, but Stephen Gould, one of my teachers from Viable Paradise mentioned that he understood about despair because he was despairing in his living room the night before.

Then, Beth Bernobich, who is a great writer four books or so into her career asked these two very established writers, “Wait. You guys despair?” And Stephen said, “Of course we despair. We’re writers.” And Kate suggested she might write a post about despair. I would like to read a post about despair. I told them I was despairing even as I was writing.

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Yesterday’s post, was, I think, a very realistic post. It was also me working through some feelings about this round of queries and rejections. The only way I can avoid sinking into sadness about the great void is to keep working, either on the new story, or at work. That’s one of the types of trying to break in despair. Stephen suggested if I was despairing, I must be doing something write.

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However, I notice that every writer has their level of despair. It’s like being a monk in the old Dungeons and Dragons system–by the time you become a Grand Master of Flowers, your despair must be as mighty as your universe reversing martial arts. Here are some examples of recent level ups that I know about from others.

Continue reading “Writers and Despair”

There are two things upon which I build my writer training: Malcolm Gladwell’s expertise hours (5428 down, 4572 left to go!) and the fact that it took me fifteen years (college prep and job shifting) to land my ideal job at Kirkwood. Gladwell’s theory should help me become a better artist. The fifteen years is about the patience that it takes to get to the place you want to get.

So, in 2007, I put away my sewing machine and dug out my computer, and started writing. What have I done with my six years in my writing career?

More under here to save the frankly bored with Catherine talking about herself crowd.

Continue reading “Six Years Down”

Bryon and I recently sorted through our DVD collections. We culled some stuff and reorganized some stuff. Of course, the primary realization was that we have a lot of DVDs, and we’ll probably need some more shelves if we keep up this sort of nonsense.

Our anime collection is most likely finite now since we do not go seeking new shows, but it is still the largest collection of viewable material we have, even after the culling. There are things in the collection that are clearly not mine ( Devilman Lady, anyone?), and there are things that are not his (original in Japanese Ribon no Kishi), but most of the stuff we both enjoy on a sliding scale toward me or Bryon.

We thought maybe we should rewatch some of this mighty treasure trove. So, we viewed X, which is just as melodramatic as ever. (The music! The feathers! The cherry blossoms!). And we are currently watching Azumanga Daioh, comedic school strip that delights in the truths of adolescence. In between the two of these, we retackled Revolutionary Girl Utena. We hadn’t viewed the Right Stuf re-mastered anniversary edition yet, so…there you go.

Continue reading “Zettai Unmei Mokushiroku”

Yesterday, early in the day, I was just down. (No, this is not an emo post. Shush.) I was feeling pretty sad about the whole writing thing, and the likelihood of publication, etc, etc, etc, ad nauseum. You know. You’ve been there.

Then I rolled up my sleeves and did some work in my real world. I checked finals, portfolios, and figured grades for six hours. And when I wasn’t doing that, I solved student and teacher problems, and worked on a budget, and just made myself thoroughly useful. Then, after that, I went home and I critiqued all the short stories I had to critique for a workshop at the end of the month. In between, I went to my first Weight Watchers meeting since bronchitis, and the gain was not that bad.

Puritan work ethic, you served me well. At the end of the day, I went to bed tired, but satisfied. Today, I’m working through several things as well. Yes, I like getting things done. It just makes me feel good.

I then realized that the problem wasn’t the lack of acceptance. The problem was too much going on in life, too much hanging over my head. I needed to dig out some, and that made me feel better.

Which is not to say that if the universe felt like it could throw me an okay on this book, I wouldn’t say no…but that’s obviously not the real problem here.

Just interesting when you figure these things out. Let me write you a real entry now.

I’m about to launch myself into my email box and download a whole lot of finals. Then I’m about to tackle a tower of portfolios from my classes, and then I’ll probably do some more work. I am buried alive at the moment in work stuff, Mindbridge stuff, retreat stuff, and the only way out is through, with a shovel. Some evil genius upstairs thought that maybe it would be a good idea to have only three days between the end of spring session and the beginning of summer session. Sigh.

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It looks to be a very busy few weeks. I’ve begun my full time period here at Kirkwood, and I will not have writing hours on the job until August again. However, I do go on vacation on June 13th. My life is like this: this week, hugely here. Next week, hugely here until Thursday. Then, Wiscon. The following week I work one day, because after Wiscon, Colorado retreat. And then a three day work week, a four day work week, and vacation.

From June 15-30, this journal will be on a little vacation. I’ll be doing a service learning project in Vietnam, and it’s not recommended we take tech with us…so apart from a camera and an emergency phone for the college, I’ll be living the tech free life. I’ll obviously have loads to show and tell when I get back.

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After this, I have some vacation in July. This will include Convergence, and my fake family reunion, before I go back to work July 24th. It goes without saying that I’ll be doing some writing on vacation. Then full time until school starts again on August 19th.

Don’t you wish you could plan your summer away in a short set of paragraphs?

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So, other things. In addition to being busy, Abby Rath is out and about. At the end of things, probably about September, I’ll sum things up. There’s at least one shiny bubble, so that’s something. As usual, the query process is hard on you. I could use at least one massage and a margarita. A day. You know, to console oneself.

The new book progresses, and I’d like to have more time to work on it.

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I wonder what plans you have for your summer. I wonder what you’re writing. I wonder what flavor of margarita you like. Just askin’.

Bryon and I went to see Iron Man 3 last Friday. It’s certainly not the most anticipated film of the new wave, but I wanted to see it. Iron Man was fine, and had some nice twists. Iron Man 2 was an all out armor fest (meh for me) except for those 5 minutes where the Black Widow fights everything and wins. So, I didn’t know what to expect from IM3.

Continue reading “Get Me a Can Opener: Iron Man 3”