Over on this really cool writers board that I’m on, there is a discussion about Imposter Syndrome. You know, the Syndrome where you feel that everyone else in your field is really the real deal, but you aren’t? I think this discussion resonates with EVERY artist, and of course, I have some opinions about it, and of course, I want to share them with the world. Not only do I have Imposter Syndrome, but apparently I am also an open book.
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Do I have Imposter Syndrome? Oh yes. There are days when I feel like a Japanese anime villain and I know that my writing will be the path to world domination (mwahahahaha!!!) and other days when I know that the last thing that the world needs is another writer, or that my writing voice is not necessary, or worse not fashionable. Is my writing too influenced by Victorians or classicists to actually be relevant to a modern reader? Argh, indeed, true believers.
This is exacerbated by the fact that I am a writer of longer things. My interest tends naturally toward novels. I do crank out a short every once in a while, and these stories have been fairly well received (just one didn’t find a home, although I am the queen of small press and not pro-sales, mind). And I do crank out a middle grade every once in a while. (Hulk Hercules was bought on spec, and Abby Rath was last year.)
But what I really like are novels. Long, character driven, full of melodrama novels. I have mentioned that I was working on a five novel series, each a stand alone. And now I realize that this is longer, and I could potentially be looking at a series at least eight books long. And I don’t care about that. Because you know, this is what I want to write and what feels natural to write to me, and it might be that I am going to be the Lois McMaster Bujold of the Gothic creepy novel, and oh, well, right?
