Social: The Rest of the Wiscon Whirl

There isn’t too much left to tell. Sunday I had lunch with Shveta Tharkar . We know each other on line, and long ago discovered that we both had some weird variant of the outcast Midwest childhood. Shveta writes mystical fairies of South Asia, and it’s pretty interesting stuff. When I read her work, I get a sense of being in two places at once.

After lunch, and an afternoon of panels and readings, I met up with Dan, Lisa, and Lisa for the dessert salon. Yes, we did eat dessert. Nisi Shawl gave her guest of honor speech, there was a heart-rending tribute to Joanna Russ, and the Tiptree was given out to a Baba Yaga book, which suited me fine.

Then, parties. Seanan McGuire (or if you prefer) pulled another night of bartending at the Whedonistas release. Later, we returned there for the Buffy Sing-a-long, and Dan spat alcoholic Shirley Temple on the sleeve of my posh dress. Good news? I’m funny. Bad news? Now I have dry cleaning.

Some time was spent at the superlative Genderfloomp dance, sponsored by Meghan McCarron and Liz Gorinsky. Why we hadn’t thought of this before at Wiscon, I’ll never know. They couldn’t get me to wear a mustache for love nor money: I did so many years ago at a reverse gender day at the high school where I used to teach, and by God! that was uncomfortable.

Met up and spent a bit of quality time with Julia Rios, who seemed to enjoy her first Wiscon mightily.

***

And the good times continued Sunday morning after the panel I’ve already written about. At the sign-out, I had a great time catching up with Lynne Thomas and Kathy Sullivan. I had some books signed, traded witty repartee about smart books with Nnedi Okorafor, regretted that I missed my Suzy McKee Charnas window, and packed up, ready to head back to Iowa.

Overall, a very satisfying experience.

About the Writing the Other Workshops

This is the point in the convention where I began to lose structural integrity, so even though I attended two other panels, my notes on them are sketchy indeed. So, this is the last panel post for the 2011 convention.

***

The cast:

David D. Levine: SF Short Story Writer and a participant in the Writing the Other Workshop.

Ada Milenkovic Brown: Writer who has taken the Writing the Other workshop.

Nisi Shawl: This year’s Wiscon guest of honor, and co-creator of the Writing the Other Workshops.

Cynthia Ward: SF Writer, and co-creator of the Writing the Other Workshops.

***

Snapshots from the panel

This was the first time in some time that Ward has attended Wiscon, so it was the first chance that many at the convention had to talk to Cynthia and Nisi both about the workshops.

Information about The Writing the Other Workshop and the Writing the Other book, available from the fine folks at Aqueduct Press.

All the panelists suggest that writing the other isn’t the problem. When writing people other than yourself, you need to do so with sensitivity and skill. Research is appropriate.

Risk taking is also appropriate. You can do a careful job with your work, but still get it wrong.

If you do get it wrong, listen with humility, and try again next time.

Levine told a story that he wrote about a son watching his father turn into a dog, which was a metaphor for transexuality. He was both praised and censored for the story.

The Writing the Other Workshops can be taught in communities, at writers groups, and at conventions. Just contact the authors.

The participants of the workshop mentioned that the workshop had really helped them both lower their anxiety when writing the other, and work at improving their writing and understanding how to better illustrate difference.

Breakfast! or Codex and an English Muffin

Sunday morning was a good morning. I ran outside and wandered about the block. There’s usually a marathon on the Sunday of Wiscon, and today I let the crowd wash over me. I was in search of coffee. Of course the Starbucks was super busy, but I stood in line and got my coffee.

The woman at the counter asked me if I had anyone in the race. I pulled out Gunther (my son. He’s in the Peace Corp in Fiji. He was also running a marathon. I use him like a gun when it seems that the easiest thing is to talk about the children I don’t have. By the way, Gunther is very eligible. You’d like him. In many ways he takes after his father.)

***

After the coffee, I went back to the hotel. And there, I met up with Codex people for the Codex breakfast.

Now, what is Codex? Well, if you’re an offer who’s been to one of the professional workshops (Viable Paradise, Clarion, Odyssey and the like), or you’re an offer who’s had one SFWA qualifying sale, you can get into Codex. It’s a good place to meet and be supported by other writers. Membership requirements are right here.

There was a small table of us. Rachel and Mike showed up again. Margaret Ronald was there, even though she wasn’t Codex. I met Ada and Anaea and Doug, most of whom I’d been seeing on and off throughout the convention.

But mostly, I talked to Mike and Ann Leckie. Mike was gracious through a lot of author talk. Ann and I had a lot to say. We line up a lot on author philosophy, paths to success, the composing process, all sorts of stuff. I appreciated that she was a good listener and a good conversationalist. Yup. Couldn’t ask for much more out of breakfast.

While I’m here, I want to plug Ann’s website GigaNotoSaurus, which specializes in the novella form. Ferrett’s had a story here. There’s some good reading.

And then, I moved on to some panels. Which I will do here, in virtual space, tomorrow.

Catherine

Saturday Night Wiscon Social Life

And then there was Saturday night. The first thing that I did as I made the rounds was top in at the Tor Party to compliment Jim Frenkel on his editing of L. Jagi Lamplighter’s Prospero Lost. I don’t know how much complimenting editors get for their work, but he seemed pleased that someone had taken the time to do so. I mentioned that I planned to dissect it and see how that skilled author had worked with certain tricks. He warned me against plagiarism. I told him that was terribly unlikely to happen.

Sometimes, you just get tired of being treated like you’re clueless. Or maybe he was attempting a New York style of humor.

***

There was some mighty fine singing in Cat Valente’s book party, so I hung there for a while. I called Bryon, who related an excellent visit with his mother and father. I felt I should be home supporting him, and this feeling would re-surface throughout the rest of the evening.

But, sadly, the majority of my night was spent listening to a friend tell the story of her unexpected divorce.

I won’t go into any details. It was the second story of a similar nature I’d heard in the two days I was at the convention. Both stories were about the disintegration of a couple in irreparable ways. Strange things, where one suddenly didn’t want what the other wanted, or one turned out to be a very different human being than the other thought.

So, I felt grateful and solid in my partner again. Of course, I’m certain these people felt that way too at one time, and I have no good idea what makes these things happen, or why they do. I guess that the world is still full of monsters, and if you’re very unlucky, one will slip into your bed and take the place of the person you love, and then what do you do?

***

All of the night was not in that depressing vein. Ellen, Margaret, and I had more good conversation. I drifted into and out of conversations with a variety of people. But I ended unsettled. Sleep was a good thing that night.

YA Saves, and It Saved Me

Thanks to one of the teachers I work with, I was clued into YA Saves yesterday, which gave me a bit of a heads up.

Honestly, people, I can’t turn my back to write one exploding watermelon story before things sort of go kablooey!

For those of you who need the Wall Street Journal article, it’s right here.

And Viable Paradise classmate Bo Balder points me to Kyle Cassidy’s very cogent response right here.

***

I will add a mere three brief points to the discussion.

1. My teen life was one of the worst YA novels you could write. A YA novel in my youth about incest could have saved me. Where was it? Because I believed in books that much. In some ways, I envy kids now. While the novels are dark, there’s that one kid going through the same situation mirrored in the novel. That gives that kid one more chance out of darkness.

2. I am concerned as an adult about the content of YA novels. But sheltering kids from the evils of the world does not prepare them for a world in which bad things could happen. A responsible parent sits kids down and talks to them. They know what their kids are reading.

To wit, the book I left my high school teaching job over–Robert Cormier’s The Chocolate War. There were two kinds of parents in that scenario–parents who could see the value of a book taught with careful adult supervision and parents who did not want their children to read the book because of interesting obstacles such as “eyeball rape.” (Not making that one up. It was my favorite complaint, and the one that has stuck with me over the years…) Which parents have done a better job raising empathetic children?

One conservative Christian parent honored me with the comment, “I can’t think of anyone I’d rather have my child discuss that book with than you, Catherine.” She understood that the content of the book was important for her child’s emotional and intellectual development. She wasn’t afraid to give her child a book that showed a darker side of life. You know, guiding a child through that sort of thing might be a parental responsibility.

So, I’m not saying turn kids lose on dark YA books. I am saying talk to your kids.

3. Supernatural stuff is horrible and scary. Sure. It’s also not real. There are loads of theories about how fairy tales are cathartic, as well as loads of theories about how children who are exposed to violence and/or the fantastic might emulate it. (Video games, Superman, and Wile E. Coyote have all born this burden).

Most kids know better. They can tell the difference between fantasy and reality. If they can’t, no YA book is at fault, and you should seek help for that child.

I found that the supernatural I encountered in my childhood books helped me hope. I sometimes imagined that I was the kidnapped child from a family that loved me. I sometimes I imagined I had come from another place. I never thought of these things in a delusional way, but they were ways to help me escape a difficult situation. I identified with Oliver Twist and David Copperfield, and imagined I was the princess raised by trolls.

I’m not sure I would have made it without those abilities to see my situation with hope. I’m not talking about anything as drastic as suicide, but books for young people made it possible for me to come out of a dark, dark childhood with the idea that I would be better because all those heroes and heroines in the books I loved overcame. I know not all books have an ending in which the heroes overcome. But enough did that I’m still here, and I’m still sane.

There are two sides to every coin. Could it be that dark YA could be used for good, as well as evil? Yes, I think so. With that in mind, then, I’d like to encourage the mother in the Journal article to actually know what her daughter is reading. Then she could have gone right to the shelf and gotten it, or asked someone about books that are similar. And she wouldn’t be worried about the influence of these books, because she would know what it was.

Catherine

How to Describe Nonwhite Characters Sans Fail

The rough draft for the as yet nameless watermelon story is in the bag, cooling off until a look tomorrow. It’s…strangely sensual for a watermelon story, so I guess I’ll play that up a bit.

***

But you’re here for some more panel reporting. Here’s a write up of How to Describe Nonwhite Characters Sans Fail.

The Cast:
Mary Doria Russell: Moderator, Tiptree Winner.

K. Tempest Bradford: Clarion participant, technical journalist.

Moondancer Drake: A multicultural LGBTQ paranormal novelist.

Amal El-Mohtar: Nebula nominee and poet.

Sumana Harihareswara: Editor, software specialist.

Snapshots of the Panel

The panelists suggested here is a good place to begin this discussion.

The panelists began discussing the following description. “Her skin was the color of a delicious Coca-Cola.”

And…we discovered that foods are often used to describe characters who are not white. After discussing food and Weird Al, it was decided that food was an easy describer for artists.

Characters in books are often imagined as white, as that has permeated the culture as standard, unless deviance is stated otherwise. This is uncomfortable and problematic.

Mary Doria Russell wrote a piece to demonstrate focusing on other descriptive traits than skin color for an example.

Some discussion occurred that juxtaposing elements both positive and negative, and using a wide variety of details beyond the superficial of appearance might be a good way to dig a little deeper.

It is important to be aware of the cultural assumptions, both positive and negative, of the things you write.

Having readers was described as important. Not having one token reader was also described as important–maybe having one black friend look at your book that has a black character in it isn’t a good enough strategy.

Writers should do the work and the research to make the best representation that they can, in tandem with those who know.

Some discussion was also given to dialogue and character action regarding the portrayal of POC.

***

As with the workshop on Mary Sue, there was a common theme that writers could dig a little deeper and make their writing more complex. This would solve a lot of the troubles. I begin to see this as the overall theme of the convention.

Under Construction

I’ll be working on the exploding Chinese watermelon story for however long it takes this weekend.

I decided last weekend to write it, and then decided I didn’t have time after Wiscon. But the deadline has been extended a week, and I think it’s a good idea, so I’m going to see if I can make the idea work.

Good experience–learning how to write a story under pressure.

Off to research how using plant hormones works.

Catherine

What’s the Matter with Mary Sue?

This panel was a discussion of Mary Sue as used in fan fiction, as the main character in any story, and as a feminist problem.

The Cast:

Sigrid J. Ellis: Moderator who directed traffic without seizing the conversation.

Laurel Amberdine: YA Author

James Frenkel: TOR Editor

Caroline Pruett: Comic book blogger and fiction craft podcaster

Heidi Waterhouse: Knows something about Mary Sue.

Snapshots from the discussion:

Continue reading “What’s the Matter with Mary Sue?”

One Thousand Ways to Die

This panel at Wiscon was bought to you by people who have been really injured and really work with injured people (TM).

The cast:

Alex Gurevich: Your moderator who asks probing and interesting questions.

Cassie Alexander: In her identity as Erin Cashier, she is a nurse.

Lisa C. Frietag: A real doctor, the kind who helps people.

Gary Kloster: Author and martial arts instructor. Has been in pain before.

Jake Kolojejchick: Avid reader and survivor of mountaineering accident.

Snapshots from the conversation:

When people get hurt, they stay down.

Fairly minor injuries can incapacitate you. However, no one wants to see the protagonist of a novel get bed rest for fifty pages or so.

Head injuries are the most problematic in books. A common plot device is knocking a character out and getting them to the bad guy’s lair. If you are hit so hard you are knocked out, you have much bigger problems than the bad guy.

Psychological consequences are often underplayed as well. Elizabeth Moon’s Paksenarion is an example of a character who was tortured and raped, and just got back up again.

HOWEVER, one of the ways that writers often get around these limitations are by writing about enhanced beings, or using a supernatural outside intervention.

First aid scenes are often not accurately recreated. CPR is kind of iffy. Shocking people is oversimplified. Most first aid scenarios leave a lot of litter from discarded packaging.

Does anyone do it right? Well, Jim Butcher’s Harry Dresden bitches a lot about pain, but since he’s enhanced, he keeps on going. A couple of audience folks thought Paksenarion’s lack of consequences was justified because of the intervention of her deity.

But no. Most writers don’t portray injury as accurately as they could, and it might be because that would be BORING.

So key is a balance between believability and story telling? Much depends on the kind of story you’re trying to tell.

Friday Night Social Life

Lest ye be gettin’ tired o’ the panels, let me regale you with tales of Friday night adventures.

This year at the gathering I hung out a little less than I usually do. But I did catch up with some friends, among them Lisa Cohen, Evelyn Brown and Margaret Ronald. It’s always good to see Evelyn, as we were in school together in the early 90s. Linguistics. Yay.

I was toting around the vintage hair book and sharing it. Margaret thinks we should have a vintage hair and make-up slumber party next year. We’ll have to hammer that out, but all I can say is start shopping for Dippity Do, and we’ll get back to you with the details.

***

Some Minnesota cool people snagged me for dinner, and we went to an Irish pub. We talked a lot about Scottish country dancing, which might be a weird conversation for some, but almost all of them were taking lessons, and two had become engaged to be married thanks to it. So, like the good Scots girl I am, this did not pose much difficulty for me.

***

After dinner, opening ceremonies. And after opening ceremonies. the usual Rabid Transit Karaoke and Dance Party. Which is cool. Because I am into karaoke like many of you are into dark chocolate. This year, Kristin Livdahl continued to man the reins, and her husband Alan DeNiro took over the mc responsibilities from Chris Barzak, who had to go to this little thing called the Nebulas. These guys really rock the planet, and we had a good time. I sang until I was hoarse.

And I had several partners in crime. Julia Rios hung out. Also Margaret and Evelyn. And tons of other cool new folks that I got to yell at for a spell.

Honestly, you really want to check out the karaoke party, if for no other reason than the chance to sing along and maybe dance. They do a great job every year. It’s one of the highlights of the convention for me.

***

So, then, I had to see a little of the sixth floor parties. I knew I would find Rachel Swirsky and her husband Mike at the FogCon party. Just as I stepped up, the folks they’d been talking to before took that as their cue to exit. But I noted the name tag of one of them was Scott Lynch. I blurted out how much I enjoyed his books and he stuck around to talk about the characters and how the books came about. There were also some Codexians in the group, along with Rachel and Mike, so overall it was a good conversation that lasted until 1 a.m.

So, some familiar gifts and some new surprises. Tomorrow, we’ll return to panels, focusing on panels about death and Mary Sue.

Catherine